Halcyon Age - Vansire
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[00:40.44]It's one hazy panoply
[00:43.25]Recount this halcyon age
[00:45.90]I turn to Anthony
[00:48.32]When he turned to Karleinz and Cage
[00:51.16]But no one's really there
[00:53.30]Does that mean it's done in vain
[00:56.26]If no one really cares
[00:58.67]I'm back to acting strange
[01:01.33]Like Daniel Johnston in Texas
[01:04.73]At some point in the eighties
[01:06.88]Passing out his cassettes with
[01:09.74]The j-card that he drew oh did he ever expect it
[01:14.78]I guess it's just what happens when the music's a respite
[01:20.13]The world is so appalling and you come to detest it
[01:25.85]And you could say that I was nervous then
[01:30.12]Fairly awkward now
[01:32.73]Leave the speakers loud
[01:35.19]When you feel self doubt
[01:37.60]If there's any chance
[01:40.40]That we'd still hang out
[01:42.94]We could detail dreams
[01:48.50]While we stare at passing clouds
[02:11.55]Those modal masterworks
[02:13.87]Atonal oeuvres it seems
[02:16.78]When I ask afterwards
[02:19.02]All message lost inbetween
[02:21.70]The shifting aperture
[02:24.27]Depicting sun-soaked scenes
[02:27.02]I guess they resonate
[02:29.43]That's Universal Consciousness
[02:32.56]Take two of Ascension
[02:35.28]The Shape of Jazz to Come and
[02:37.55]Laurie Spiegel's inventions
[02:40.36]O'Rourke or Zorn and Oliveros all deserve mention
[02:45.48]You're dancing in a room and no one's paying attention
[02:50.45]Addressing my reception with a focused eye
[02:55.37]To the passing clouds
[02:58.06]I'll be there for you
[03:00.55]When you're feeling down
[03:03.16]Any given day
[03:05.75]You can find me 'round
[03:08.46]In a despondent way
[03:10.96]In a study best called brown
[00:43.25]Recount this halcyon age
[00:45.90]I turn to Anthony
[00:48.32]When he turned to Karleinz and Cage
[00:51.16]But no one's really there
[00:53.30]Does that mean it's done in vain
[00:56.26]If no one really cares
[00:58.67]I'm back to acting strange
[01:01.33]Like Daniel Johnston in Texas
[01:04.73]At some point in the eighties
[01:06.88]Passing out his cassettes with
[01:09.74]The j-card that he drew oh did he ever expect it
[01:14.78]I guess it's just what happens when the music's a respite
[01:20.13]The world is so appalling and you come to detest it
[01:25.85]And you could say that I was nervous then
[01:30.12]Fairly awkward now
[01:32.73]Leave the speakers loud
[01:35.19]When you feel self doubt
[01:37.60]If there's any chance
[01:40.40]That we'd still hang out
[01:42.94]We could detail dreams
[01:48.50]While we stare at passing clouds
[02:11.55]Those modal masterworks
[02:13.87]Atonal oeuvres it seems
[02:16.78]When I ask afterwards
[02:19.02]All message lost inbetween
[02:21.70]The shifting aperture
[02:24.27]Depicting sun-soaked scenes
[02:27.02]I guess they resonate
[02:29.43]That's Universal Consciousness
[02:32.56]Take two of Ascension
[02:35.28]The Shape of Jazz to Come and
[02:37.55]Laurie Spiegel's inventions
[02:40.36]O'Rourke or Zorn and Oliveros all deserve mention
[02:45.48]You're dancing in a room and no one's paying attention
[02:50.45]Addressing my reception with a focused eye
[02:55.37]To the passing clouds
[02:58.06]I'll be there for you
[03:00.55]When you're feeling down
[03:03.16]Any given day
[03:05.75]You can find me 'round
[03:08.46]In a despondent way
[03:10.96]In a study best called brown
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